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Post by : Anis Farhan
The Tamil film Parasakthi, directed by Sudha Kongara and headlined by Sivakarthikeyan, Jawam Ravi, Sreeleela and Atharvaa, arrived in theatres on 10 January 2026 during the festive Pongal weekend — a coveted release window in South Indian cinema that often sees heightened audience turnout.
The film is a historical political drama set against the backdrop of Tamil Nadu’s socio-political landscape of the 1960s, focusing on anti-Hindi imposition movements and student activism that became pivotal in the state’s political history.
This release marked a significant moment for Sivakarthikeyan, as Parasakthi is his 25th lead role, elevating expectations among fans and moviegoers alike.
Parasakthi unfolds in a period when linguistic pride and resistance to central policy stirred deep emotions in South India, a fertile ground for cinema that blends political narrative with character arcs. The film’s storyline dramatizes the anti-Hindi imposition agitations of the 1960s, situating its protagonists at the heart of social unrest and ideological conflicts.
Sivakarthikeyan portrays Chezhiyan, a character whose motivations, personal sacrifices and ideological journey anchor major portions of the film, supported by performances from Atharvaa, Jayam Ravi, and Sreeleela.
This scope aimed to blend mainstream cinematic appeal with a rooted socio-political consciousness, but as many critics and viewers noted, execution did not always resonate as strongly as the ambition suggested.
Before its theatrical rollout, Parasakthi underwent review by the Central Board of Film Certification (CBFC) and was ultimately granted a UA certificate, allowing audiences aged 16 and above to view the film.
However, this certification process came after the board requested multiple edits due to sensitive socio-political content, which required careful navigation by the filmmakers to balance narrative honesty with regulatory approval.
Sivakarthikeyan publicly addressed this censor challenge, advising future filmmakers to submit work early to avoid last-minute complications, and stressing that the essence and emotional heart of Parasakthi remained intact despite regulatory changes.
Parasakthi opened with a solid first-day box office performance, with industry trackers estimating over ₹12 crore in India on day one.
While this figure reflected strong interest — particularly given the Pongal holiday and the film’s high profile — it was seen as slightly below what trade analysts had projected for a festive weekend release with a major star at its core.
Global totals and detailed breakdowns are still being compiled, with ongoing box office tracking likely to reflect rising figures as the holiday period continues. Some unofficial estimates cited a Day 1 figure around ₹18 crore, though these have not been universally confirmed.
Sivakarthikeyan as Chezhiyan — center of the tale, whose performance garnered praise for earnest portrayal in a challenging dramatic landscape.
Jayam Ravi — delivered a solid turn, though some observers felt the character lacked a compelling backstory that deepened emotional connection.
Sreeleela — marked her Tamil debut with an impactful presence that contributed to the ensemble balance.
Atharvaa — added dynamic energy, particularly in sequences reflecting youth activism and resistance.
Supporting roles by Dev Ramnath, Prithvi Rajan and cameo appearances, including by Rana Daggubati, gave additional texture to the ensemble.
The film is backed by Dawn Pictures and distributed by Red Giant Movies, bringing notable powerhouses of Tamil cinema into a collaborative effort.
Upon release, Parasakthi drew mixed reviews from critics. Some praised its thematic ambition, visual aesthetics, and performances, particularly noting Sivakarthikeyan’s portrayal as a standout.
However, many reviews pointed to challenges in narrative coherence and screenplay pacing, especially in the second half, which some felt dulled the emotional momentum the film sought to build.
The Indian Express review highlighted that while Sivakarthikeyan’s performance and the artistic design were commendable, the writing did not always rise to the potential of its historical material, making parts of the experience feel uneven.
On social media platforms like Twitter, early audience reactions mirrored the spectrum seen in contrast reviews. Some viewers celebrated the film’s message and strong visuals, while others expressed disappointment with its pacing and emotional connectivity.
Notable responses ranged from admiration for particular scenes and performances to frustration about the film feeling disjointed in parts — a duality that many historical dramas often encounter when balancing expansive narratives with mainstream appeal.
The trailer for Parasakthi was well received prior to release, generating substantial anticipation. Audiences were drawn to its depiction of Tamil identity, rich historical settings, intense dialogue and glimpses of the central ideological conflict.
Promotional material emphasized the film’s emotional core and political relevance, eliciting interest from both cinephiles and general audiences ahead of the January release.
This pre-release buzz was further amplified by discussions around a prospective Pongal box office clash with another major Tamil film, Jana Nayagan, before that project’s postponement.
Unlike typical commercial Tamil films, Parasakthi taps into a real chapter of socio-political history — the anti-Hindi imposition protests — a subject that continues to resonate deeply in Tamil Nadu’s cultural memory.
Films rooted in historical struggles often carry added responsibility in narrative accuracy while seeking to remain entertaining — a tension that Parasakthi attempted to tackle through its characters and plot progression.
While Parasakthi enjoyed respectable domestic attention, its overseas response varied by region. Reports indicated that in some markets, such as France, occupancy was low — leading to cancellations of premiere screenings that contrasted with much stronger performances by some other Tamil releases abroad.
These regional variances highlight the differing global appetites for socio-political Tamil cinema, particularly when compared with mass entertainers or star-driven action films that often attract broader international audiences.
The film’s performance amid the Pongal season reflects broader industry dynamics, where festival releases often translate to heightened box office pressure and audience expectations.
Discussions around revenue share models and theatre owners’ concerns also emerged, particularly in relation to how high producer and distributor splits can impact cinema halls, especially when multiple big releases vie for screens and audience attention.
Parasakthi will be remembered as a bold cinematic attempt — a film that dared to bring political history to mainstream screens with a popular star in the lead. Its opening success, potential growth during the Pongal weekend, and mixed critical reception collectively frame a release that sparked conversation as much as controversy.
The film’s journey, from censor challenges to social media discourse, demonstrates how contemporary cinema engages with both artistic ambition and audience expectations in an increasingly connected age.
Whether the film’s box office trajectory and critical reevaluation post-release will shift its standing remains to be seen, but Parasakthi has certainly carved a notable place in the 2026 Tamil cinema landscape.
Disclaimer: This article is based on verified reviews, box office reports, social media reactions and industry data available at the time of writing, and reflects a broad overview without undue speculation.
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