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Post by : Anis Farhan
The release of Mardaani 3, starring Rani Mukerji, was met with palpable anticipation. The Mardaani franchise has established itself over the past decade as one of Bollywood’s most impactful crime drama series, driven by its thematic focus on social justice, harrowing real-world issues, and an iconic female protagonist. With Mardaani 3, audiences expected a continuation of this legacy—an intense, uncompromising thriller that engages both emotionally and intellectually.
Director Abhiraj Minawala returns to guide Shivani Shivaji Roy, the no-nonsense cop once again played by Mukerji, into a world where the stakes are higher, the enemies more sinister, and the moral fabric under strain. Yet, while the film delivers on certain fronts, reviewers and audiences alike are now pointing out that Mardaani 3 loses narrative momentum midway, ultimately undercutting its potential for greatness.
Since the first Mardaani film hit screens, the franchise has drawn praise for its fearless engagement with social issues—especially human trafficking and other forms of exploitation. Rooted in realism and infused with raw emotion, the earlier installments resonated with audiences who saw not just a police procedural, but a story with a purpose. Mardaani 3 strives to extend this tradition by throwing light on a fresh but equally grim dimension of crime: the large-scale disappearance of young girls across regions of India.
The film opens with an urgent mystery that immediately immerses the audience. Within minutes, it becomes clear that this is not merely another entry in the franchise but an attempt to expand its thematic ambit. The high stakes are not just professional for Shivani, but personal—every missing child represents a human life at risk, a family devastated, and a social order under threat.
No critique of Mardaani 3 is complete without acknowledging Rani Mukerji’s central contribution. Critics and audiences agree that her portrayal of Shivani Shivaji Roy is one of her most compelling in recent years. Mukerji’s performance is powerful, credible, and physically convincing, anchoring a narrative that otherwise falters in structural cohesion. Many early reactions laud her “irreplaceable” screen presence and unshakable intensity.
Her embodiment of Shivani elevates even the more predictable segments of the screenplay. She brings nuance to action sequences, emotional scenes, and moments of introspection—something that critics say helps keep the audience invested more than the story itself does. This performance ensures that viewers remain engaged even when the plot does not consistently rise to the same level of tension or innovation.
The early stages of Mardaani 3 have drawn widespread praise. The setup—shocking, urgent, and tightly paced—pulls the audience immediately into the film’s core conflict. The plot’s escalation feels organic, and the stakes are established with sophistication and urgency. This half resembles the franchise’s best work, and is particularly effective in conveying the raw seriousness of the criminal network at the heart of the story.
Initially, the film threads together multiple narrative strands with skill. It balances investigative intrigue with emotional urgency, and intersperses intense confrontation with reflective moments. This pacing allows the audience to become fully absorbed, rooting for the protagonist while fearing for the victims she seeks to save.
However, the consensus among critics is that Mardaani 3 loses its narrative sharpness following the interval. Structural issues begin to emerge—the pacing slows, plot developments become more predictable, and the once taut screenplay gives way to familiar tropes. Where the first half builds tension effectively, the second tries to escalate without sufficient innovation or insight, leading to a sense of diminishing returns.
Some reviewers highlight a drift toward over-ambition: a subplot here, an abrupt twist there, and attempts to elevate the conflict beyond its natural scope. The effect dilutes dramatic tension rather than enhancing it. In particular, the portrayal of the antagonist, while initially intriguing, does not sustain the intended menace throughout the narrative, leaving some fans underwhelmed by the climactic resolution.
Mardaani 3* is not without artistic strengths. Technically, the film is polished, with visually striking cinematography that enhances both action and mood. Each scene—whether set in dimly lit urban corridors or bustling streets—benefits from a careful visual approach.
Director Abhiraj Minawala uses framing and movement to underline thematic weight, and the editing maintains rhythm even during slower segments. These elements, however, cannot entirely compensate for the screenplay’s second-half sag.
The film’s supporting cast delivers adequate performances. Certain new entrants make notable impressions, with moments that hint at deeper emotional and narrative potential. However, some characters are underutilised, and the screenplay bypasses opportunities to enrich their arcs or deepen the stakes beyond the protagonist’s journey.
Reaction to Mardaani 3 has been mixed. Social media buzz reveals a spectrum of responses—many praising Rani Mukerji’s performance and visceral moments, while others point out structural shortcomings. Early Twitter reactions describe the film as emotionally strong but narratively simple, highlighting the divide between audience expectations and critical assessment.
Box office performance reflects this divide: while there are regions reporting strong ticket sales and positive word-of-mouth, other centres note a middling opening compared with previous franchise entries.
Mainstream critics have echoed similar sentiments. Reviews range from acclaim for Mukerji’s central role to disappointment in the screenplay’s predictable arcs. Some reviewers contend that the film maintains the Mardaani legacy to a degree, but does not push the envelope enough in storytelling innovation.
Mardaani 3 may not represent the franchise’s high-water mark, but it does serve as an important bridge between the original films’ raw narrative focus and a more expansive cinematic ambition. It demonstrates the enduring appeal of a strong female protagonist and reveals the appetite among audiences for socially relevant stories.
The film also raises questions about how Bollywood can maintain narrative freshness in long-running series, especially when audience expectations remain high after landmark entries. The franchise’s future could benefit from more nuanced storytelling structures, complex villain arcs, and narrative choices that resist familiar genre pitfalls.
In the final reckoning, Mardaani 3 stands as a film of contrasts. Rani Mukerji delivers a commanding and deeply committed performance that reminds audiences why she remains one of the industry’s most respected actors. Her presence infuses the film with emotional weight and dramatic urgency that might otherwise have been absent.
Yet the structural weaknesses—marked by a loss of narrative drive after intermission and a descent into predictability—prevent Mardaani 3 from reaching the heights of its predecessors. It remains a worthwhile cinematic experience for fans of the franchise and Mukerji alike, but it also highlights the challenges inherent in sustaining pace and narrative originality in long-running film series.
Disclaimer:
The views expressed in this article are based on a synthesis of critical reviews, audience reactions, and available reporting, intended to provide a comprehensive overview of Mardaani 3.
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